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21: Dave Matthews Band, The Most Compelling Band Around
Dave Matthews Band is a unique, musically gifted band. Its combination of sounds of folk, jazz, rock, world beat, and reggae give it its originality and musicality that extends the bounds of music. The five members of the band: Dave Matthews, Boyd Tinsley, LeRoi Moore, Stefan ... Guitar World: “Different Strummer”) "Our musical style illustrates our different backgrounds, both musically and non-musically," says Matthews. "We've been influenced not only by pop, but by African music, jazz, just about everything. We incorporate lots of different textures, so we've been able to create a very unique sound -- a very American music." (Relix Magazine: “One Nation Under a ... band came to be in April 1991, playing its first gig for an Earth Day celebration. Dave Matthews had always dreamed of starting his own band. He approached his favorite jazz players, (who he also served drinks to as a bartender) LeRoi Moore and Carter Beauford to make a demo tape of the songs he had written. Moore and Beauford ...
22: Louis Armstrong
... something to look up to, someone to be like. Louis Armstrong over came such adversities as poverty, a lack of good education, and racism to become one of the greatest jazz player not just of the 1920s but of the 20th century. Armstrong was one of the creators of Jazz and was one of the most popular entertainers from the 1920s. Starting out at a young age he never knew that one day he would be such a popular jazz player and also not knowing that one day he might even be called a hero. Armstrong was born on July 4, 1900 in the Storyville section of New Orleans. ...
23: Duke Ellington: An American Legacy
... Winton Marsalis said it best when he said "His music sounds like America." (Hajdu,72). These days you can find his name on over 1500 CS's(Illistated Encyclopedia of Jazz,254). Duke's legacy will live on for generations to come. Duke Ellington was born Edward Kennedy Ellington, April 29, 1899 in Washington D.C(The New Grove Dictionary of Jazz,330). His father at the time was employed as a butler yet always wanted the best for Duke. At the young age of seven Ellington took up the piano, because ... From the beginning Duke Ellington wanted to be remembered by generations to come, That would be difficult being the son of a butler and black(The New Grove Dictionary of Jazz,330); in a time when Negroes had many obstacles including the racism that plagued the United States. About ten years after he started to play piano, he made his ...
24: Louis Armstrong
... something to look up to, someone to be like. Louis Armstrong over came such adversities as poverty, a lack of good education, and racism to become one of the greatest jazz player not just of the 1920s but of the 20th century. Armstrong was one of the creators of Jazz and was one of the most popular entertainers from the 1920s. Starting out at a young age he never knew that one day he would be such a popular jazz player and also not knowing that one day he might even be called a hero. Armstrong was born on July 4, 1900 in the Storyville section of New Orleans. ...
25: Jazz 2
Jazz Open Listening Report "Don’t worry, be happy" Don’t worry, be happy was by Played by Bobby Mcferrin in the seventies . The in this piece the texture changes a ... keeps on changing tempo and dynamic. What I liked most about this piece this how the instruments answer each other with a different beat, and dynamics. Maged Saleh Professor, Ferguson Jazz Open Listening Report "All I Want" The piece called "All I want" was written by Bobby Mcferrin.. In this piece I would say that the texture stayed the same most ... I did not like is that their are not enough instruments involved. The only instrument that stood out I would have to say is the violin. Maged Saleh Professor, Ferguson Jazz Open Listening Report Good Loven The piece Good Loven was played the most by Bobby Mcferrin. The piece starts out with a slow tempo and changes to a vary ...
26: The Art of Rock and Roll by Charles Brown
... and roll sounds today. Brown proves rock is a legitimate art form by talking about its audience and its lasting power. Assumption two states that rocks roots are in folk, jazz, and pop music. Musicians who first started rock and roll must have had something to base their music on which turned out to be primarily folk, jazz, and pop. They simple changed the pattern and style of that music and started forming rock. Assumption three states that it is just as valid to study rock and roll ... sources of Rock. Slave music was important because when they were brought to the United states they also brought with them their music which was blues and later on early jazz. Acculturation began as soon as their were American-born slaves. They would sing work songs which were basically chants which later on formed to become blues. As blues developed ...
27: Morrison's Jazz: Characters' Actions
Morrison's Jazz: Characters' Actions The novel Jazz by Toni Morrison is an extremely well written account of black life during the mid 1850's to the late 1920's. Morrison manipulates the three main character's personas ... the characters in this novel, Toni Morrison is able to teach the reader a familiar lesson about life: not to judge a book by its cover. Works Cited Morrison, Toni. Jazz. New York: Plume, 1992.
28: A Brief History Of The Blues
... Mamie Smith recorded the first vocal blues song, 'Crazy Blues' in 1920. (Priestly 9) Priestly claims that while the widespread popularity of the blues had a vital influence on subsequent jazz, it was the "initial popularity of jazz which had made possible the recording of blues in the first place, and thus made possible the absorption of blues into both jazz as well as the mainstream of pop music." (Priestly 10) American troops brought the blues home with them following the First World War. They did not, of course, learn ...
29: Miles Davis
... briefly interrupted by a heroin addiction, although he continued to record with other popular bop musicians. 1955 was Miles Davis’ breakthrough year. His performance of "round midnight" at the Newport Jazz Festival alerted the critics that he was "back". Davis form a quintet which included Red Garland, Paul Chambers, Philly Joe Jones, and John Coletrain. In 1957 Davis made the first of many solo recordings with the unusual jazz orchestrations of Gil Evans, and he wrote music for film by Louis Malle. In 1963Davis formed a new quintet including the talents of Herbie Hancock, Ron Carter, Tony Williams, and ... modal fusion. Oftentimes Davis was the victim of negative criticism because of his adopting sometimes unpopular styles of music, but he is most respected for being one of a few jazz musicians who continually took the music to newer and more creative heights. The musical events Miles Davis created during his so-called electric period (1969-1975), are acts of ...
30: Miles Davis
... briefly interrupted by a heroin addiction, although he continued to record with other popular bop musicians. 1955 was Miles Davis’ breakthrough year. His performance of “round midnight” at the Newport Jazz Festival alerted the critics that he was “back”. Davis form a quintet which included Red Garland, Paul Chambers, Philly Joe Jones, and John Coletrain. In 1957 Davis made the first of many solo recordings with the unusual jazz orchestrations of Gil Evans, and he wrote music for film by Louis Malle. In 1963Davis formed a new quintet including the talents of Herbie Hancock, Ron Carter, Tony Williams, and ... modal fusion. Oftentimes Davis was the victim of negative criticism because of his adopting sometimes unpopular styles of music, but he is most respected for being one of a few jazz musicians who continually took the music to newer and more creative heights. The musical events Miles Davis created during his so-called electric period (1969-1975), are acts of ...


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