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Enter your query below to search our database containing over 45,000+ essays and term papers
Search results 61 - 70 of 258 matching essays
- 61: The History Of Greek Theater
- ... as the men, and they interfered in the men’s lives as they chose to. It was the gods who sent suffering and evil to men. In the plays of Sophocles, the gods brought about the hero’s downfall because of a tragic flaw in the character of the hero. In Greek tragedy, suffering brought knowledge of worldly matters and of ... Aristotle attempted to explain how an audience could observe tragic events and still have a pleasurable experience. Aristotle, by searching the works of writers of Greek tragedy, Aeschulus, Euripides and Sophocles (whose Oedipus Rex he considered the finest of all Greek tragedies), arrived at his definition of tragedy. This explanation has a profound influence for more than twenty centuries on those ... the performance, changing the nature of the chorus to a group appropriate to the individual story. A second actor was added by Aeschylus and a third actor was added by Sophocles, and the number of the chorus was fixed at fifteen. The chorus’ part was gradually reduced, and the dialogue of the actors became increasingly important. The word “chorus” meant “ ...
- 62: Tragedy In Genesis
- ... it must be a form of literature and performed by actors. Without suffering, a work of literature cannot be considered tragedy. Kaufmann=s definition was shaped by the works of Sophocles and Euripides. Although there were three primary tragedy writers in antiquity, Kaufmann does not seem to be able to cope with alternative modes of tragedy as expressed by Aeschylus. Instead of accepting the concept of dual definitions or paradigms of tragedy, Kaufmann remains myopic in his view. He writes: AAeschylus was, compared with Sophocles and Euripides, the most optimistic; he alone had the sublime confidence that by rightly employing their reason men could avoid catastrophes. His world view was, by modern standards, anti-tragic; and yet he created tragedy.@ Kaufmann does not come to the logical realization that both Sophocles and Aeschylus are tragic in different ways. Instead of acknowledging that his definition might be too constraining and specific, he rejects the fact that Aeschylus wrote tragedy. By stating ...
- 63: History Of Greek Theater
- ... as the men, and they interfered in the men's lives as they chose to. It was the gods who sent suffering and evil to men. In the plays of Sophocles, the gods brought about the hero's downfall because of a tragic flaw in the character of the hero. In Greek tragedy, suffering brought knowledge of worldly matters and of ... Aristotle attempted to explain how an audience could observe tragic events and still have a pleasurable experience. Aristotle, by searching the works of writers of Greek tragedy, Aeschulus, Euripides and Sophocles (whose Oedipus Rex he considered the finest of all Greek tragedies), arrived at his definition of tragedy. This explanation has a profound influence for more than twenty centuries on those ... the performance, changing the nature of the chorus to a group appropriate to the individual story. A second actor was added by Aeschylus and a third actor was added by Sophocles, and the number of the chorus was fixed at fifteen. The chorus' part was gradually reduced, and the dialogue of the actors became increasingly important. The word "chorus" meant " ...
- 64: Oedipus Rex (film Vs Text)
- In the film Oedipus the King produced by the Royal Shakespeare Company we are presented with a modernistic adaptation of Sophocles' classic Greek tragedy. A Greek tragedy essentially consists of the story of something terrible happening to a person of noble stature, such as Oedipus who is a prince and a ... works, and the most popular would be revived, one of which was Oedipus Rex. The opening shot of the film presents us with a fairly decent visual representation of what Sophocles seemed to have in mind for the beginning of the play. The outer steps of the castle are crowded with what seem to be peasants who are obviously in different ... peril. When Oedipus exits the castle into the courtyard to confront the peasants the actor playing the role does an excellent job of portraying the cocky swagger and demeanor that Sophocles seemed to bestow upon him on the page. Although we quickly notice that none of the actors are wearing masks, which would have been the case had this been ...
- 65: Compare And Contrast Of The Od
- Sophocles’ Oedipus the King and Homer’s Odyssey both deal on the topic of truth. In both works the character Tiresias, a blind prophet, participates in the different journeys by revealing ... stated that “[Oedipus is] the curse, the corruption of the land.” When Oedipus responds to this, which will be discussed later, he continues to berate Tiresias for ‘lying’. Following that, Sophocles uses Tiresias to foreshadow the rest of the play for the reader, while cryptically half-hiding and half-telling Oedipus the truth, which is essentially ignored. The fact that Tiresias ... his journey home. The result of what Tiresias told Oedipus in Oedipus the King is a bit more convoluted than with The Odyssey. While what Tiresias told Oedipus was true, Sophocles used that scene more as a way to foreshadow what would happen later on in the play rather than a direct plot motivator. This can be seen in the ...
- 66: Ordinary People
- ... uses the same method of writing, however he speaks of human history to further support the mood of the "Sea of Faith" and it's "eternal sadness". Arnold writes of Sophocles hearing the "eternal sadness" on "the Aegean" with it's "turbid ebb and flow". This appeals to the sense of hearing and causes the reader to almost hear powerful waves crashing to the land below. Sophocles saw the waves as sounds of "human misery". Arnold is portraying the parallel thought between the speaker's feelings and Sophocles same sadness over the changing of the land. The metaphor of the tides and the sea is suggested by the sounds and view of the speaker's window, but ...
- 67: Matthew Arnolds Dover Beach An
- ... Arnold uses the same method of writing, however he speaks of human history to further support the mood of the "Sea of Faith" and its "eternal sadness". Arnold writes of Sophocles, a Greek dramatist, hearing the "eternal sadness" on "the Aegean" with its "turbid ebb and flow". This appeals to the sense of hearing and causes the reader to almost hear powerful waves crashing to the land below. Sophocles saw the waves as sounds of "human misery", which implies that life begins and ends, but it can still be full of happiness, and unfortunately, at the same time, sadness ... that he (the speaker) used to look at the sea in a different way than he does now. Arnold is portraying the parallel thought between the speaker's feelings and Sophocles same sadness over the changing of the land. The metaphor of the tides and the sea is suggested by the sounds and view of the speaker's window, but ...
- 68: Oedipus Trilogy Analysis
- ... Oedipus Trilogy Oedipus Rex, or Oedipus Tyrannus as it is in Latin, could be what we call today a Freudian work of literature. The Oedipus Trilogy was originally written by Sophocles and is meant to be told in a story-telling fashion. But this Grecian tragedy was revised and translated into English by Paul Roche and put into a novel form ... a series of gods and muses and fates to explain why things happened the way it happened. They believed in a force greater than their own controlling their every move. Sophocles took their beliefs and used the Oedipus Trilogy to explore the irony of how the Fates work more closely. The Oedipus plays are separated into three main plays: Oedipus Rex ... when Oedipus asks his beloved people, what is the meaning of this thronging round my feet- this holding out of olive branches wreathed in woe? (Roche 23). By this sentence Sophocles is showing that his people are crying at his feet for an answer to their sickness. Little did Oedipus know that he had his own much larger problem on ...
- 69: Antigone Vs. Billy Budd
- ... is also in a language in both verse and song. Aristotle's definition is clearly applicable to both Herman Melville's Billy Budd and the famous Greek tragedy Antigone by Sophocles. Antigone is definitely a good example of a Greek tragedy. It contains all of the elements of Greek tragedy as defined by Aristotle. Billy Budd has also been interpreted by ... works are interpreted. Aristotle states that tragedy is of high seriousness. Tragedy deals with the most complex issues of man. Both of these works deal with universal issues. In Antigone, Sophocles gives the audience several important issues to dwell on. Sophocles along with many writers of Greek tragedy, tried to project moral views through their work. C.M. Bowra said that, "The central idea of a Sophoclean tragedy is that ...
- 70: Greek Tragedies
- ... of imitation, but adds that it has a serious purpose to the narrative. The purpose that aims each of the five plays that we read in class. The Athenians considered Sophocles their most successful playwrighters and his works continued to be valued highly throughout the Greek world even long after his death. Some idea of how the ancient heroic legends expanded ... during centuries of retelling, and how they were molded in the hands of the tragic poets, can be forgotten from comparison of the plays based on the same events by Sophocles, Aeschylus, and Euripides. In the rendition of Oedipus he kills Laius, and marries his mother, who is called Epicasta, thus becoming the king of Thebes. In time the Gods revealed ... painting. Ultimately they are combined in the great tragic plays of the Greeks, which include Julius Caesar and Hamlet, and there is also a sort of development from Aeschylus through Sophocles. Nietzsche is a theoretical man, fundamentally anti-Dionysian, whose "illusion" is "that thought, guided by the thread of causation, might plumb the farthest abysses of being and even correct ...
Search results 61 - 70 of 258 matching essays
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